The Glow Experiments

As with all my experimenting in the different aspects of the technique, Mokume Gane holds for polymer clay, I was thinking about the layering of the B/W  sheets and the purpose for each in revealing the design placed in the polymer clay ... hence, the experiment with glow clay was born!

* I am using Sculpey Glow polymer clay.

 First, condition your clay, I ran it through the pasta machine (you can do it by hand) on the thickest setting, as you can see it is already glowing!!!

 



 

In the picture above, I applied the silver leaf and alcohol inks of choice (teak, butterscotch,golds and a 'Lil raspberry) then, allow to completely dry.  Once dry, I rolled out a thin sheet of translucent polymer clay and laid it on top of the sheet that was inked, then rolled out a sheet of black on the thickest setting and laid that on top of the stack then, ran the entire stack through the pasta machine on the thickest setting.  You may cut your stack in half if it is more manageable and make a double stack or just use your single stacks to cut-in your design.

** side note:  ( the sheet of white has been omitted so the glow clay shows up nicely as, you have the black outlining your design).







Here are the slices that were obtained from my single stacks.  top: lights on - bottom: lights off
 

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Below are a few completed projects made from the slices obtained from the stack I had created 

 

 

 

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The Tutorial - Part 1 Mokume Gane, Alcohol Inks and Translucent Polymer Clay

1.  Condition a sheet of Black on the thickest setting if, you are using a pasta machine and a sheet of White Polymer clay again, thickest setting. *if using a roller - approx. 1/8 inch.

2.  Create a stack with the Black on top of the White, set aside.







3.  Now, condition a sheet of Translucent polymer clay on the thickest setting or roll again, to 1/8 inch.  (I personally, condition my translucent 20+ times until I can smell the plasticizers releasing from within the clay itself then, I know the chemicals in the clay are properly mixed).

4.   Okay, now carefully, because you know how these leafing sheets can get away from you! And, lay a sheet (gold or silver) I am using silver here.  gain carefully lay it on top of the translucent sheet of polymer clay.  Here I have just used my acrylic roller to "crackle" the sheet.

Now grab your alcohol inks!  These are a few of Tim Holtz's - Adirondack Ink (don't forget to use your craft store coupons!!!).

5.  This is where your creative imagination comes in!  Randomly or not, your choice apply drops of ink (I didn't have to squeeze the bottle to obtain a drop on my sheet) you can use as many or as little color as you want.  Here I have used Blue, Poppyfield and Teraa Cotta in a random pattern.  When you like the colored pattern you have . . . STOP!  Now, you must let these inks dry that usually takes an hour or more.  I don't use my heat gun to speed up this process because it degrades the intensity of the inks I have found in other projects with the use of alcohol inks.

- INTERMISSION -



continue to Part 2 of this tutorial





Polymer Clay - Mokume Gane with Translucent Clay and Alcohol Inks

I have been experimenting specifically in the adapted technique called,  Mokume Gane. With this technique, the experiment has been in incorporating the use of translucent polymer clay, gold and silver leafing sheets, and alcohol inks. Below are some examples of my created pieces from these experiments.